Library Booklist (H:P4)

By Anonymous

Untold Stories
by Alan Bennett

Richard Strauss: A Critical Commentary 2
by Norman del Mar 

Richard Strauss: A Critical Commentary 3
by Norman del Mar 

In Praise of Difference: Genetics and Human Affairs
by Albert Jacquard 

Notes on a Century
by Bernard Lewis 

Elizabeth Bishop and the New Yorker 

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Front Matter (Preface) The Brothers Karamazov by Fyodor Dostoevsky

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The Brothers Karamazov by Fyodor Dostoevsky Verily, verily I say unto you, except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit. John xii,24 Preface I N STARTING out on the life of my hero, Alexei Fyodorovich Karamazov, I feel somewhat at a loss. By this I mean that, although I refer to Alexei (Alyosha) as my hero, I am well aware that he is by no means a great man, and this leads me to anticipate such obvious questions as: “What is so remarkable about your Alexei Karamazov that you should choose him as your hero? What exactly did he accomplish? Who has heard of him and what is he famous for? And why should I, the reader, spend time learning the facts of his life?” The last question is the fateful one because all I can answer is: “You may find that out for yourself from the novel.” But what if they read the novel and are still unconvinced that my Alexei is a remarkable man? I say this because I sadly anticip...
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Front Matter (preface) Lyrical and Critical Essays by Albert Camus

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The "Dark Night"

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Open to Judgement by Rowan Williams The dark night is God’s attack on religion. If you genuinely desire union with the unspeakable love of God, then you must be prepared to have your ‘religious’ world shattered. If you think devotional practices, theological insights, even charitable actions give you some sort of a purchase on God, you are still playing games. On the other hand, if you can face and accept and even rejoice in the experience of darkness, if you can accept that God is more than an idea which keeps your religion or philosophy or politics tidy – then you may find a way back to religion, philosophy or politics, to an engagement with them that is more creative because you are more aware of the oddity, the uncontrollable quality of the truth at the heart of all things. This is what ‘detachment’ means – not being ‘above the battle’, but being involved in such a way that you can honestly confront whatever comes to you without fear of the unknown; it is a kind of readiness for th...
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